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1873 3CS PR67CAM PCGS #83724

CAC - "This is a singularly beautiful Superb Gem specimen of this proof-only issue. At first glance, the rose and blue toning at the centers appears to be the lightest patina on the coin, but then at a different angle, the formerly "black" mirrors come to life with pale sea-green color."

1859 H10C MS68+ PCGS #4371

CAC - This coin was part of the Oliver Jung Type Collection

1898 10C PR68CAM PCGS #84882

CAC - "A classic blend of gold, violet, green, and blue hues fail to hide the impressive reflection of the flawless mirrors; the toning is especially impressive on the reverse."

1835 25C MS66 PCGS #5354

CAC - "The obverse shows a silver center framed with rings of amber-gold, aqua, jade, violet, and russet nearest the rims. The reverse is also silver in the centers, with russet-gold and cobalt-blue peripheral accents. ....... the eye appeal is simply off the charts." Ex "Col." E.H.R. Green/Newman.

1874 25C Arrows PR67+ CAM PCGS #85575

CAC - "This spectacular coin is the sole-finest 1874 Arrows proof quarter certified in either Cameo or Deep Cameo finish -- a high-end Superb Gem, with a pinpoint-sharp strike and the all-important PCGS Plus designation. Exquisite turquoise and russet-tan toning decorates each side, suggesting original proof set color."

1881 25C PR68+ CAM PCGS #85582

CAC - "The patination comprises amber-gold, lavender and light-blue hues on the obverse, with more silver but a similar palette on the reverse. A fully struck and completely engaging example of the issue.."

1917-D 25C Type 1 MS67+ FH PCGS #5709

CAC - "The surfaces of this visually stunning Superb Gem display vivid multicolored toning of reddish-orange, sea green, powder blue, pale pink and olive-gray. Bountiful mint frost and incredible technical quality add to the eye appeal of this outstanding coin." Ex. The D. Brent Pogue Collection Part VII

1906-S 50C MS68+ PCGS #6507

CAC - The Finest Known Once Graded MS69 NGC - I still have the label. From the Hugon Collection"The frosty mint luster rolls over each side, unimpeded by the usual impairments seen on these larger-sized silver coins. Formidable eye appeal is created by the gorgeous colors that grace each side, which also brings up the subject of originality, a characteristic that is unquestioned on this piece. Gray-golden toning in the centers is framed by aqua and sea-green at the peripheries." One of the finest Barber Half Dollars.

1871 50C PR65+ CAM PCGS #86429

CAC - "...deeply mirrored fields that surround the fully lustrous devices, and is a borderline Deep Cameo example. The central obverse is bright silver with rings of gold, violet, and blue toning toward the borders. The reverse is mostly brilliant with similar rings of toning through the legends."

1879 50C MS67+ PCGS #6361

CAC - Ringed in peripheral toning in a vivid golden-blue shade. The centers are also toned, albeit in a warmer apricot color. Stunning.

1866 $1 Motto PR66DCAM PCGS #97014

CAC - An absolutely amazing Superb Gem Deep Cameo proof of its exceptional quality. Both sides have frosty bright silver devices that exhibit bold design definition. The surrounding fields are unendingly deep mirrors that are brilliant silver close to the design motifs, changing to russet, violet, and electric blue at the borders.

1876 T$1 Type I/I MS67 PCGS #40110

CAC - "Yowza! Hands down the finest colored trade dollar in existence! Dripping with luster, the surfaces have only the slightest imperfections."

1883 T$1 Trade PR67+ CAM PCGS #87063

CAC - Down crossed from a Proof-68 Cameo NGC. (It was the Finest graded by NGC). "Both obverse and reverse are splendid to behold, brilliant deep mirror surfaces, silver, overlaid with natural toning. At the center is light gold, changing to magenta, then to blue, no doubt the result of having resided in a Wayte Raymond "National” album page for a few decades." A truly beautiful coin.

1888 $1 PR66 PCGS #7323

CAC -"The obverse has iridescent cobalt blue and salmon pink iridescence around a copper-gray center. The more uniform reverse is awash in blended steel-olive, antique gold and silver-mauve shades." Part of an original proof set purchased from the Stack's Blue Moon Sale

1893 25C Isabella MS65 PCGS #9220

CAC - "Both sides are beautifully toned, the obverse with a target-like distribution to bright gold, powder blue and pinkish-apricot iridescence. The reverse is even more vivid with dominant olive-gold iridescence that yields to warmer reddish-orange, salmon pink and cobalt blue at the border."

1870 50C J-933 PR65DCAM PCGS #506603

CAC - Gorgeous peripheral toning

1877 50C J-1514 PR66CAM PCGS #134083

CAC - Low R.7. Struck in silver with a reeded edge. "The coin is virtually flawless; the only interruptions in the surfaces are a few tiny lint marks that were struck into the piece at the time of minting. The centers are brilliant and surrounded by a ring of golden-brown toning at the margins. The fields are deeply mirrored, and the devices present stark cameo contrast on both obverse and reverse." Ex: The Lemus Collection, Queller Family Collection Part Two

1879 $1 J-1615 PR67+ CAM PCGS #134101

CAC - R6 in Silver with a reeded edge. ..."bold cameo contrast between frosted reliefs and deep, watery mirrored fields. A classic blend of gold, violet, green, and blue hues fail to hide the impressive reflection of the flawless mirrors"